Three-Ten to Yuma and Other Stories (2 page)

BOOK: Three-Ten to Yuma and Other Stories
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He reached the end of the aisle and swung out onto the open plain, riding into the vastness, unsure of the direction, kicking his mount frantically toward the low horizon. Hoofs pounded packed sand and the sound vibrated against his mind to keep the knot tight inside of him, taking the place of the excitement of combat that was now a faint rattle far behind.

In his fear he was unmindful of time, his eyes straining against the distance. Then, in the haze, the horizon changed.

A dark line interrupted the monotonous tone of the plains, stretching and taking shape. It came closer yard by yard and finally there it was. A town. A real town!

He was a mile or more away when the shot rapped from behind. He turned to see the Apaches less than two hundred yards behind, then kicked hard and angled for the frame structures in the distance.

The Mimbres closed the gap by another two dozen yards before Bud Nagle reached the edge of the town, and as he wheeled to head into the street, a second shot slapped against the wide openness like a barrel stave against concrete, and horse and rider went down.

Bud Nagle was stunned. He sat in the dust shaking his head while the dust and his mind cleared.
He wanted to rest, but the rumble of the ponies behind him jerked him stumbling to his feet. He tried to run before he was all the way up and he fell to his hands and knees, crawled, then rose to his feet again and ran a few yards yelling at the top of his voice before he stumbled again, sprawling full length in the thick dust of the road.

The dust filled his open mouth and choked his screams for help, muffling the words to make them incoherent and all the more pitiful. He screamed and choked and drove his legs so savagely that he fell again as he reached the three steps to a porch, hitting his knees against the steps repeatedly until he climbed to the porch and lunged through the swing-type doors of the building.

He stopped in the gloom of the interior, throwing out his arms to rest against a support post in the middle of the room. His body sagged with relief as he put his head against the post, trying to catch his breath.

A hoarseness came out of his throat forming the words, “Apaches—Apaches! Right outside town!”

The silence answered him. And it was so loud and mocking that the breath caught in his throat.

He lifted his head slowly because he knew what he would see and he didn't want to see it. Finally he straightened his head and looked at the dust that couldn't be less than a dozen years old. It covered every surface of the bare room.

He made his head swing along an arc, taking in the rectangular strip of lighter-colored flooring where the bar had stood, and on toward the front of the room. His body moved and a boot scraped the gritty floor.

His shoulders jerked upward and his whole body tensed in an unnatural rigid position. His gaze sank into a dingy front corner and he kept his eyes on the shadowed line where wall met wall, as if by seeing nothing, nothing would see him. Slowly, neck muscles relaxed and the line of his jaw eased. He turned his eyes to the doorway.

A patch of dirty gray light showed through the opening above the louvered doors. Below, a square of the front porch stood out vividly, framed by the blackness of the doors and the dismal gloom of the inside of the room. The doors hung silently against the evening light, rickety and fragile because of the louvers, forming a thin, flimsy barrier against the outside.

He knew he was alone in a one-block town—alone with four Apaches.

And the desolate, stone-silent town squeezed in through the darkening gloom with a ring to its silence that was overbearing, and it pushed the thin figure back into the shadows.

The uniform hung loose and empty-looking as he backed away, lifting his feet gently, holding his
arms close to his sides. His right arm brushed the holster on his hip and he glanced down and up quickly as if afraid to take his eyes from the doorway. But his drawn face relaxed slightly as he fumbled at the holster and drew the long-barreled revolving pistol.

Suddenly he stopped. A sharpness jolted against his spine, and he wheeled, discharging the heavy pistol wildly. He fired four times, running, stumbling toward the stairway along the back wall. The explosions slammed against the empty room, bouncing from wall to wall in an ear-splitting din, and with it was the sharp clattering of broken glass. He raced up the stairs, leaving the barroom alone, bare but for the center post against which he had bumped.

And again the silence.

In the upstairs room he pressed stiff-backed to the wall just inside the door while his chest heaved and his head jerked in spasms from the door to the front windows that were dim gray squares outlining the evening. Slowly he edged along the wall until he reached a corner window and pressed his cheek to the frame.

From the angle he could see almost the entire length of the block-long town. Adobe and clapboard squatted side by side, gaunt and ugly and with a flimsy coldness that proclaimed their unoc
cupancy. Ramadas extended from most of the building fronts, rickety and drooping, pushing out into the street to squeeze the dirt road into a rutted narrowness. The ramadas hid most of the lower windows and doorways that lined the street, casting a deeper shadow in the fast-falling gloom.

Then, from somewhere below, there was creak of a board bending on a rusted nail. He froze to the wall and the sound stopped.

It tightened every nerve and muscle in his body; but he moved his legs, his hand shaking with the weight of the revolving pistol. He made his way across the room to the door and looked out to the dim landing, leaning over the railing and listened, but only the ragged cut of his breath interrupted the stillness. He backed from the stairway along the short hall that ended a few feet behind him.

A glass-paned door opened to an outside landing with a decaying stairway falling steeply to the ground. The last of the evening light seeped into the narrowness between the two buildings and lost most of its strength filtering through the grimy panes of the door glass. He glanced over his shoulder through one of the panes seeing only the landing and the rotting board wall of the next building, which was a livery stable.

He approached the blackness of the stairwell again, and as he leaned forward the muffled sound
came from below. It was faint, faraway, like leather on wood, but it rasped against his spine like an off-chord and he felt his neck hairs bristle.

He stood rigid, working his mouth to scream, but the scream came out a moan, and the moan a sob, and he kept saying, “Please God—please God—please God—” until he finally turned, slamming into the door, smashing his pistol through the glass panes when the door would not open at once, kicking boots and knees against the door panel.

Then he was out and down the stairs, stopping a moment in the narrow alley to swing his head both ways. An instant later he disappeared through the side door of the next building.

In the upper hall a vague shadow emerged from the blackness of the stairwell to the landing where Bud Nagle had stood. The figure was obscure, but the last of the evening's faint light showed dimly on the head of the Mimbreño war lance.

 

A M
IMBREÑO
A
PACHE
is not a fanatic. He will not throw his life away. If mortally wounded, the chances are he will put aside precaution to make his last act that of killing a white man. Many white men will do the same. It is not fanaticism; it is complete resignation. Fatalism with fate staring you in the face.

A Mimbre is a little man, less than five-seven, but
he is an oiled-leather cord with rock-tight knots all the way down. He wears a calico band to hold back shoulder-length hair, and his moccasins reach the midpoint of his thighs. He wears a cotton breechclout and his upper body is painted vermilion. Paint on dirt.

His God is U-sen, and he is the best natural guerrilla fighter in the world. He is a strategist. He lives to kill—and he plans it every hour he's awake while he drinks tizwin to make sure the kill-urge will not go away. And don't you forget it:
He does not throw his life away.

That is why the three shadows converged on the stable, but without a war cry, without assault. There was not even the hint of noise. The shadows were unreal, blending with the gloom. They moved to the side of the building to join the fourth shadow standing in the narrow alley. The phantom shapes fused together to become a part of the deeper shadow close to the side of the stable.

In a few minutes the obscure figures reappeared, moving quickly, taking definite shape upon reaching the street, then fading again, passing under the ramadas on the other side. And in the narrow alley there was a flicker of light. A wavering, dancing speck of light. Then, vivid orange against black as the fire gradually climbed the decaying wall of the stable.

It was a matter of only a few minutes. The fire scaled the side wall slowly at first; small orange tongues, scattered along the dry surface, finally ate into each other and erupted into a brilliant mass of flame.

For the figure crouched inside the stable there was no choice. He edged out of a stall and moved toward the front of the stable, watching the fire, fascinated, until the flames reached the loft above him and the heat pressed close and smothering.

For a few minutes he forgot about the Apaches, his mind coping with just one thing at a time, and not relating the fire to the Indians. He was completely fascinated, moving toward the front slowly, reluctant to take his eyes from the dancing flames, until the heat licked close and he turned to find himself at the front entrance.

Hiding was out of the question. Swept out by the fire and the panic that strapped his mind and made his heart hammer against his chest.

Panic and no choice.

It made him throw his shoulder against the heavy swing door and force his body through the narrow opening. He hesitated a long second, then ran to the left, hitting the duckboard sidewalk in four strides, then up the steps of the barroom porch. He hesitated again in the deep shadows of the ramada, glanced
back toward the stable grinding his teeth together to keep from crying out, then ran across the porch.

At the end of the porch he glanced back again, and that was his mistake.

He turned to break into a run, but the stairs were there and he pitched forward, throwing his arms out in front of him. There was the half-scream and the explosion and that was all. He lay faceup. A thin hole in his chest showed where he had shot himself. And the toes of his issue boots pointed to the red glow that was spreading in the sky.

 

I
T WAS THE
same glow that brought Apache and cavalry to meet the next morning on the flat plain east of the town of Helena.

Cause and effect is natural. Cavalry followed the glow in the night sky for an obvious reason. That was why there was a garrison at Fort Bowie. Chee brought his Mimbres through a mistake in judgment. Fire in the sky to the northeast, the direction of Fort Bowie. And Cochise, with over two hundred Chiricahuas, was on the warpath in that general direction. It was easy for Chee to abandon one ambushed troop for a chance to assist in the sack of a whole garrison.

An error in judgment and overeagerness. And
when Chee discovered his error it was too late. He was in the open. One of Stoneman's scouts learned this from a Mimbre who survived the battle. The story influenced Stoneman's reasoning. There is no question of that.

That afternoon they found Bud Nagle. His gun empty and his body mutilated. The right hand and foot hacked off. There was only one conclusion to be reached.

At Camp Grant the next week, Stoneman awarded him posthumously the medal that bears Minerva's head. The Medal of Honor.

Regimental pride is a strange thing. A soldier will cling to it because it is important, and he will even let it bias his mind. West of the San Andres there was little else but regimental pride.

Stoneman gave Nagle the Medal of Honor because he had sacrificed his life for his troop. He had fired the town to signal the Bowie garrison, thereby giving his own life. Stoneman even hinted that Nagle signaled with the intention of luring Chee. He did not state it flatly, but moved around it with tactical terms.

That's what regimental pride will do. A hero. His name listed forever on the Roll of Honor of B Troop, Third United States Dragoons. And many believed it—even knowing Bud Nagle—Yes, that's what regimental pride will do.

S
TRUGGLES' ATTITUDE TOWARD
the Sangre del Santo story was one of complete indifference. At the time he first heard the story, he was contract surgeon at Fort Huachuca with no time for chasing lost mine legends. It was common knowledge that Struggles had more than a superficial interest in precious metals—it was evident in the way he wangled assignments to extended patrols and would have his pan out at every water stop, and the leaves on which he went into the Dragoons alone with a pack mule and a shovel—but prospecting, to Strug
gles, was a world apart from chasing legends. Lost mines were for fools, or anyone too lazy to swing a pick and build a sluice box. Listening to the tale, Struggles' rough-grained campaigner's face would wrinkle like soft leather and a half smile would frame the cigar that was clamped between his teeth.

But that was while he was still at Huachuca. That was before he met Juan Solo.

In Soyopa, which is in the state of Sonora, there was another story related along with the one of Sangre del Santo. It concerned Juan Solo who made his home in Soyopa, and very simply, it told that Juan Solo, the Indian-Mexican, knew the exact location of the lost mine. And once a year, they said, he would bring to the tienda a half bar of solid silver weighing one thousand ounces, a weight not used since the departure of the Spanish. And the storekeeper, who was becoming very rich, would allow Juan to purchase whatever he pleased for the rest of the year.

When questioned about the mine, Juan Solo would smile, just as Doctor Struggles was doing at that very time up at Fort Huachuca, and he would shake his head and walk away.

They said that Juan Solo was one of Gokliya's Apaches until Gokliya turned wild and the Mexicans began calling him
Hieronymo.
They said Juan was lazy by nature and became tired of running, so
he left the band and became Mexican. But changing his nationality did not erase from his memory the mine he had discovered hiding out in the Sierra Madre with Gokliya. And finally, after the Apache war chief was packed off to Florida, Juan Solo was free to visit his secret mine.

They said he could have been the richest man in Mexico, but his only concern was for mescal and a full bean pot to answer the growl in his belly. Spending any more would have been wasteful. On one occasion, two men resentful of Juan's niggardly attitude followed him into the range when he left for his annual collection. One came back a month later—with his mind still in the hills. The other never returned. It was a long time before anyone tried it again…but that was when Struggles entered the story….

In 1638, the Sangre del Santo was mining more silver than any diggings in New Spain with free, Indian labor. But perhaps the Spanish overseers and their protecting garrison were somewhat more demanding than was ordinarily common. The story has it that a Franciscan friar, Tomas Maria, could stand the inhuman treatment of the Tarahumare laborers no longer and so caused them to revolt.

It is said the Spanish killed Tomas Maria for putting thoughts into the heads of the Tarahumares; and after the uprising, in which the Spanish were
taken by surprise and annihilated, the Indians found the padre's body and laid it away inside the entrance to the mine. Then they sealed it and defaced the mountainside so there would be no trace of the entrance. The adobe quarters of the Spanish were caved in and spread about until they again became part of the land. The country was restored, and the legend of Tomas Maria's spirit protecting the mine was handed down from father to son.

In Soyopa, the villagers crossed themselves when the name Tomas Maria was mentioned. Then someone would smile and say that the padre and Juan Solo must indeed be good friends, and then everyone would smile….

On a morning in early summer, Juan Solo left Soyopa prodding his burro unhurriedly in the direction that pointed toward the wild, climbing Sierra Madre.

A month before, Struggles had entered Sonora and started down the Bavispe. It had taken a long time to shake soldiering out of his life.

He had been contract surgeon all through most of the campaigns, from before Apache Pass to Crook's border expedition, and in those days he was too busy doctoring to give in completely to the urge that had been growing since his first year in the Southwest. Sometimes the troopers kidded him about it and accused him of knowing every rock
within a five mile radius of Thomas, Bowie and Fort Huachuca. Struggles took it with a smile because there was little enough to laugh about at that time.

He wasn't a fanatic about gold. Some men eat and breathe it and know nothing else. Struggles simply thought prospecting was a good idea. Sun and fresh air, hard work, enough excitement to keep your blood circulating regularly and the chance of becoming rich for life. Finally, after almost twenty years of campaigning, he reasoned that his obligation to the Army was at an end. He had served long enough that no one could say he had signed up just for the free transportation.

He worked the Dragoons for almost a year with only a few pyrite showings and then a trace that would die out before it had hardly started. It was enough discouragement to make him look for a new field. He decided to point south and follow the Bavispe down through Sonora, keeping the Sierra Madre on his left, working the foothills until he had the feel of the country, then go deeper into the range.

Five days after Juan Solo left his pueblo, Struggles found him in a barranca. They did not speak, because Juan was unable to. He was spread on his back in the middle of the depression, stripped, his hands and feet fastened with rawhide and pegged
deep into the sand. Near him were the ashes of a fire over which his feet had been held before he was staked to the ground.

They spoke of it for a long time after in Soyopa. How Juan Solo rode out one morning on his burro and returned a week later tied to the animal with the American leading it, along with his own, and how the American stayed on with Juan at his adobe and tended him until his sickness passed.

 

S
TRUGGLES DID NOT
consider saving Juan's life a special act of charity. He would have done the same for anyone. Nor did the man's reluctance to explain completely what had occurred bother Struggles. At first, all Juan offered in explanation was that an American, a man whom he had trusted as a friend, caught him unaware and performed this torture on him. Struggles accepted this without pressing conversation and gradually, as his wounds healed, Juan Solo became more at ease. A natural friendship was developing, in spite of their extremely opposite backgrounds.

Finally, one day when Juan's burns were almost healed, he said to Struggles: “That was a good thing you did before.” It was his way of thanking Struggles for saving his life.

The surgeon brushed it off. “No more than any man would have done,” he said.

Juan Solo frowned. “It is not of such a simple nature. There was a good thing you did before.”

Struggles waited while Juan Solo unhurriedly formed the words in his mind.

“Once,” Juan began, “I had a friend who desired to be rich. He begged me to show him silver, so I took him into the hills. But even being a friend, I blindfolded his eyes lest avarice lead him back for more, though I meant to give him plenty enough. For two days I walked behind his burro picking up the kernels of maize that he was dropping to mark the trail. And at the end of that time, I unbound his eyes and returned to him all the maize he had dropped, saying such a wasteful man would indeed not know how to use silver. And there I left him, discovering that he was no friend.

“The next time I went out from the pueblo, he was waiting for me and he took me and demanded that I show him the place of the silver. He had Mexican men with him, and at his word they built a fire to abuse the truth from me, as if the words would come from my feet; but I would not speak, so they left me to die.”

Juan Solo's eyes did not leave Struggles' hard-lined face. He went on, “Now I have learned that
friendship is not simply of words. Man, I will show you silver; as much as your burro can carry will be yours. And there will be no blindfold.”

Struggles cleared his throat and felt a flush of embarrassment. “Juan, I didn't treat you for a fee.” And then was sorry he had said it when the Indian's sleepy eyes opened suddenly.

But his voice remained even when he said, “To a friend, you offer a gift. You do not repay him.” He hesitated. “And I say
offer,
for you need not accept it. Approaching El Sangre del Santo is not the same as entering the great city of Chihuahua. Often there is danger.”

Struggles' cigar almost slipped from his mouth. “You know where it is?” he asked, amazed.

The Indian nodded his head.

Sketchily then, the story of the mine formed in the surgeon's head. He relaxed in his chair, putting the pieces together. He had almost forgotten the legend of Tomas Maria.

“What about the padre who acts as watchman?” he asked cautiously. “Is he the danger you spoke of?”

Juan Solo smiled faintly. “Here they say that he and I are good friends. No, the danger is from those who would take all the wealth from the poor padre.”

Struggles smiled at the Indian and said, “I imagine he gets pretty lonely up there,” but Juan Solo
only shrugged his shoulders. Struggles added, “I mean your ex-friend, the American.”

The Indian nodded. “After leaving me the thought would come to him that if I died his chance of discovering the mine would be remote. So he would return and find that someone had taken me. First he would curse, then inquire discreetly through one of his men if I had been brought to Soyopa; and finding this to be so, his choice would then be to wait for me to go out again and then to follow.”

“Well, you're just guessing now,” Struggles said.

Juan Solo shrugged again. “Perhaps.”

On the fourth day after leaving the pueblo, Juan's conjecture came back to Struggles suddenly. From that afternoon on, there was little room in his mind for doubting the Indian's word.

They were in high, timbered country moving their horses and pack mules single file along a trail that cut into the pines, climbing to distant rimrock. Where the slope leveled, they came out onto a bench that opened up for a dozen yards revealing, down over the tops of the lower pines and dwarf oaks, the country they had left hours before. In the timber it was cool; but below, the sandy flats and the scattered rock eruptions were all the same glaring yellow, hazy through a dust that hung motionless. At first, Struggles thought he was seeing sun spots from the glare.

He blinked before squinting again and now he was certain there were no sun spots. Far off against the yellow glare, a confused number of moving specks were pointing toward the deep shadows of a barranca. Juan Solo was watching with the palm of his hand shading his eyes.

He looked at the surgeon when the specks passed out of sight. “Now there is no doubt,” he said.

Struggles' rough face turned to him quickly. “Why, that could be anybody.”

“Señor Doctor,” Juan said quietly. “This is my country.”

 

A
T SUNDOWN
they stopped long enough to eat a cold supper, then moved on into a fast-falling gloom. The country was level now, but thick with brush; mesquite clumps which in the evening dimness clung ghostlike to the ground and were dead silent with no breeze to stir them. Struggles, riding behind the Indian, felt his eyes stretched open unnaturally and told himself to quit being a damn fool and relax.

He chewed on the end of the dead cigar and let his stomach muscles go loose, but still a tension gripped him which his own steadying words could not detach. They were being followed. He knew that now, and didn't have to close his eyes to pic
ture what would happen if they were overtaken. But there was more to the feeling than that. It was also the country—the climbing, stretching, never-ending wildness of the country. The Sierra Madre was like the sea, he thought. Both of them deathless, monotonously eternal, and so indifferent in their magnitude that either could accept the dust of all the world's dead and not have the decency to show it in posture. He thought:
Now I know what people mean about wanting to die in bed.
But again he told himself to shut up, because it was foolish to talk.

There was only a soft squeak of saddle leather and the muffled clop of hoofs on sand, and ahead, the dim figure of Juan Solo moving silently, rhythmically to the sounds.

The dusk thickened into night, and later Struggles could feel the ground beneath him changing though he could make out nothing in the darkness. There was a closeness above him along with the more broken ground, so that he sensed rather than observed that they were passing into rockier country.

And when first morning light reflected in the sky, Struggles saw that they were deep into a canyon. Ahead, it twisted out of sight, but beyond the rim a wall of mountain rose a thousand feet into the sky, tapering into a slender pinnacle at one end of its unbalanced crest. It seemed close enough to hit with a
stone, but it was at least two miles beyond the canyon.

Juan Solo reined in gently and raised his arm toward the peak, pointing a finger. “Señor Doctor,” he said. “Be the first American to observe El Sangre del Santo…and know it.”

Struggles was unprepared. “That's it?” he said incredulously; then wondered why he had expected it to appear differently. Lost mines needn't look like lost mines. Looking at the peak he thought of the legend, trying to picture what had taken place here; but then he thought of the other that he had been thinking all night, and he glanced uneasily behind him.

Juan Solo watched him. “They are many hours behind,” he said, “since they could not follow in the night. So, if it is not abusive to you, I say we should go quickly to the mine and leave before they arrive, continuing on in the widest circle that ends again where we started. Thus they will not know that they have been to El Sangre and left it. And later, when they see us surrounded by seven hundred bottles of mescal—” the Indian could not keep from grinning—“they will scratch their heads and turn and gaze out at the mountains that say nothing, and they will scratch their thick heads again.”

BOOK: Three-Ten to Yuma and Other Stories
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