Thirst No. 1 (17 page)

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) The s un is firmly in the sky as I sit in my office to sort out what to do next. Three types of professionals arrived after my house blew up six weeks earlier : firefighters, police officers, and paramedics. Ray told me this. They didn't talk to Ray, who had dragged me out of sight into the woods, but I contacted them later once I had regained consciousness.

I pleaded innocent to any knowledge of the explosion: its cause or the reason it was rigged. At that time they didn't tell me of any human remains found in the vicinity. That, of course, doesn't mean a body wasn't found. The police could have withheld that information from me. For all I know I am still under investigation for the explosion and whatever was discovered in the area.

I need a contact with the local police and I need it immediately. The paramedics and the hospital would have the remains of Yaksha, but if I do not go through the proper channels and authorities, they will show me nothing. With my extensive contacts and wealth, I can develop a contact, but it will take time. As I sit at my desk, thinking, a light on my phone begins to blink. It is an out-of-state call. I pick it up.

"Yes?" I say.

"Alisa?"

"Yes. Agent Joel Drake-how nice of you to call." I make a decision immediately, figuring it is a sign from Krishna that the FBI man has phoned at this precise instant. Of course, I do not believe in signs, I am just desperate. I add, "I've been meaning to call you. There are some things we should discuss that I failed to bring up last night."

He is interested. "Such as?"

"I have a lead on who is behind the murders."

He takes a moment. "Are you serious?"

"Yes. I have a very good lead."

"What is it?"

"I will only tell you in person. Fly into Portland this afternoon and I'll pick you up at the airport. I guarantee you'll be glad you came."

"I thought you said you wouldn't be leaving town for a few days?"

"I lied. Call the airlines. Book your flight."

He chuckles. "Hold on a second. I can't fly up to Oregon in the middle of an investigation.

Tell me what you know and then we can talk."

"No," I say firmly. "You must come here."

"Why ?"

"The murderer is from here."

"How do you know that?"

I pitch my voice in my most beguiling manner. "I know many things, Agent Drake. That one of the guys you found in the coliseum had a javelin through his chest, the other had his skull stabbed open, and every bone in the neck of the third was shattered. Don't ask me how I know these things and don't tell your FBI pals about me. Not if you want to solve this case
and
get all the credit. Think about it, Joel, you can be the big hero."

My knowledge stuns him. He considers. "You misunderstand me, Alisa. I don't need to be a hero. I just want to stop the killing."

He is being sincere. I like that.

"It will stop if you come here," I say softly.

He closes his eyes; I hear them close. My voice will not leave his mind. He wonders if I

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) am some kind of witch. "Who are you?" he asks.

"It doesn't matter. I will hold while you book your flight. Take the earliest one."

"I will have to tell my partners where I'm going."

"No. Just the two of us are going to work on this. That's my condition."

He chuckles again, this time without mirth. "You're pretty gutsy for a young woman."

I think of the knife that stabbed me in the belly less than twelve hours ago. "I have strong guts," I agree.

Joel puts me on hold. A few minutes later he returns. His plane will land in three hours. I agree to meet him at the gate. After setting down the phone, I leave my office and crawl into bed beside Ray. He stirs and turns his back to me but doesn't wake. Portland is an hour and a half away. I have only ninety minutes to rest before I must take on the enemy.

Joel looks tired when I pick him up at the airport. I don't imagine he got much sleep the previous night He immediately starts with his questions, but I ask him to wait until we are in my car. Once inside I put on music, a tape of my playing the piano. We drive toward Mayfair. I am still thinking how I should approach this matter. Since we are dealing with evidence that points toward a mysterious agency, I am not worried about staying conservative.

"Who is the pianist?" he asks finally.

"Do you like it?"

"The music is haunting, and the pianist is wonderful."

An appropriate choice of words. "It's me."

"Are you serious?"

"You have asked me that twice today. I am always serious, Agent Drake."

"Joel, please. Is Alisa your real name?"

"Why? Have you been researching me?"

"A bit I haven't turned up much."

"You mean, you haven't turned up an Alisa Perne in your computers?"

"That's correct. What's your real name and who taught you to play such exquisite piano?"

"I am self-taught. And I like to be called Alisa."

"You haven't answered my question."

"I answered one of them."

He stares at me. For a few sentences I forgot to be careful how I pitched my voice, and the echo of my age creeps into it. My words and voice, I know, can throb like living ghosts. My music is not the only thing that is haunting.

"How old did you say you were?" he asks.

"Older than I look. You want to know how I know about the murders."

"Among other things. You lied to me last night when you said you had not been in the Coliseum."

"That is correct. I was there. I saw the three young men in the field killed."

"Did you get a good look at the killer?"

"Good enough."

He pauses. "Do you know him?"

"No. But he is associated with a man I once knew. That man died in an explosion at my house six weeks ago. The reason I have brought you here is to help me trace the remains of that man. We are driving to the Mayfair Police Station now. I want you to ask them to

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) open their files to you."

He shakes his head. "No way. You're going to answer my questions before I do anything to help you."

"Or you will arrest me?"

"Yes."

I smile thinly. "That will not happen. And I am not going to answer all your questions, just the ones I choose to answer. You have no choice but to cooperate with me. Like you said last night-you have no leads. And you are more in the dark than you admit. You have several people who seem to have been killed by a person of extraordinary strength. A person so strong, in fact, that he seems superhuman."

"I wouldn't go that far."

I snort softly. "It takes a great deal of strength to snap every cervical in a man's neck. Isn't that what the autopsy showed?"

Joel shifts uneasily, but I have his full attention. "The autopsy isn't complete on any of the victims."

"But the LAPD medical examiner has told you about the guy's neck. It makes you wonder, doesn't it?"

He speaks carefully. "Yes. It makes me wonder how you know these things."

I reach over and touch his leg. I have a very sensual touch, when I wish to flaunt it, and I must admit I find myself attracted to Joel. Not that I love him as I do Ray, but I wouldn't mind seducing him, as long as Ray wouldn't know. Having had ten thousand lovers, I don't share most mortals' illusions of the sacredness of fidelity. Yet I will not risk hurting Ray for sex, and I will not lie to him anymore. Joel feels the electricity of my fingers and shifts all the more. I like my boys fidgety.

"You want to say something?" I ask, my hand still on his thigh.

He clears his throat. "You are very alluring, Alisa. Particularly when you are being vague, or trying to be persuasive." He stares down at my hand as if trying to decide whether it is a priceless jewel or a spider that has crawled into his lap. "But I am beginning to see through your facade." I remove my hand, not insulted.

"Is that all it is? A facade ?"

He shakes his head. "Where did you grow up?"

I burst out laughing. "In the jungle! A place not unlike where these murders are happening. I watched as that young man's neck was snapped. A normal person couldn't do that. The person you are looking for is not normal. Nor was my friend who died when my house blew up. If we can find what became of him, his remains, then we can find your murderer-I hope. But don't ask me how these people are not normal, how they have such strength, or even why my house was blown up. I won't tell you."

He keeps looking at me. "Are you normal, Alisa?" he asks.

"What do you think?"

"No."

I pat his leg. "It's all right. You go on thinking that way."

Yet, I think, he knows too much about me already.

When all this is over, I am going to have to kill Joel Drake.

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On the drive to Mayfair Joel tells me about his life. Maybe I pry the information out of him a bit Maybe he has nothing to hide. I listen attentively and grow to like him more with each passing mite, much to my disquiet Maybe that's his intention-to be open with me.

Already, I think, he knows I am more dangerous than I appear.

"I grew up on a farm in Kansas. I wanted to be an FBI agent from the first time I saw that old series,
The F.B.I.,
that starred Efrem Zimbalist, Jr. Do you remember that show? It was great I suppose I did have dreams of being a hero: catching bank robbers, finding kidnapped kids, stopping serial murderers. But when I graduated from the academy in Quantico, Virginia, I was assigned to blue collar crime in Cedar Rapids, Iowa. I spent twelve months chasing accountants. Then I got a big break. My landlady was murdered.

Stabbed with a knife and buried in a cornfield. That was at the end of summer. The local police were called in, and they found the body pretty quick. They were sure her boyfriend did it. They even had the guy arrested and ready to stand trial. But I kept telling them he loved his woman and wouldn't have hurt her for the world. They wouldn't listen to me.

There is an old rivalry between the FBI and police. Even in Los Angeles, working on this case, the LAPD constantly withholds information from me.

"Anyway, privately, I went after another suspect- the woman's sixteen-year-old son. I know, he sounds like an unlikely candidate-the woman's only child. But I knew her son as well as the boyfriend, and the kid was bad news. An addict ready to steal the change from a homeless person. I was their tenant and I caught him breaking into my car once to steal my radio. He was into speed. When he was high, he was manic-either the nicest guy in the world or ready to poke your eyes out. He had lost all sense of reality. At his mother's funeral he began to sing "Whole Lot of Love." Yet, at the same time, he was cunning. His bizarre behavior hid his guilt. But I knew he'd done it, and, as you're fond of saying, don't ask me why. There was something in his eyes when I talked to him about his mother- li ke he was thinking about how nice it was finally to have the house all to himself. "The problem was, I didn't have a shred of evidence that linked him to the crime. But I kept watching him, hoping he'd reveal something. I was anxious to move to another place, but during my off hours, I told myself, I was on stakeout. I felt in my gut something would turn up.

" Then Halloween came, and that evening the sonofabitch was out on his front porch carving a huge jack-o'-lantern. He flashed me a nauseatingly sweet smile as I walked to my car, and something about his expression made me pause to look closer at his knife. By this time the victim's boyfriend was in the middle of his trial, and losing. As I mentioned, the woman had been stabbed, and as I studied her son and the pumpkin on his lap, I remembered how the autopsy report noted the unusual spacing of the metal teeth marks on the victim's skin. This knife was weird-the cutting edge had irregularly spaced ridges.

"I hid my interest in the knife with a nonchalant wave, but the next day I got a warrant to search the house. I obtained the knife, and its cutting edge was compared to the photographs taken by the coroner. There was a match. To make a long story short, the son was eventually convicted. He is serving a life sentence in Iowa as we speak." Joel adds, "All because of one jack-o'-lantern."

"All because of one sharp agent," I say. "Was your success on the case your ticket to bigger and better things?"

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"Yes. My boss was pleased by my persistence, and I was put on a couple of old unsolved murder cases. I solved one of them and was promoted. I have been working difficult murder cases in LA. ever since." He nods. "Persistence is the key to solving most mysteries."

"And imagination. Why did you tell me this story?" He shrugs. "Just trying to make casual conversation with a potential witness."

"Not true. You want to see how I react to your tales of insight and intrigue."

He has to laugh. "What do you want with me, Alisa? To make me into a hero or a goat? I did as you requested-I told no one where I was going. But I’ll have to call in some time today. And if I tell them I'm in Oregon riding around with a cute blond, it's not going to look good on my record."

"So you think I'm cute?" I ask.

"You catch the operative words, don't you?"

"Yes." I add, "I think you're cute as well."

"Thank you. Do you have a boyfriend?"

"Yes."

"Is he normal?"

I feel a pang in my chest "He is wonderful."

"Can he verify where you were the last two days?"

"That's not necessary. I already told you I was in the Coliseum watching necks being broken and chests pierced. If there is guilt by association, then I'm guilty as sin."

"Aren't you worried about telling that to an FBI agent?"

"Do I look worried?"

"No. That's what worries me." His tone becomes businesslike again. "How did this abnormal person break the young man's neck?"

"With his bare hands."

"But that's impossible."

"I told you not to ask me these questions. Let's wait till we get to Mayfair, see what we find out from the local police. Then perhaps I'll tell you more."

"I will have to call the local office of the FBI and have them notify the police that I'm coming. They won't open their files to me just because I walk in the front door."

I hand him my cellular phone. "Notify whoever you have to, Joel."

The Mayfair police give us scant information, and yet it is crucial. While I wait in the car and listen to the conversation that takes place inside the station, Joel learns that there was a body recovered from the explosion at my house, not just pieces of flesh as I expected. I have to wonder-how did Yaksha's form survive the blast? He was more powerful than any creature that walked the earth, but even he should have had to bow to several crates of dynamite. The police tell Joel that the body was taken to a morgue in Seaside, seventy miles south of Mayfair, the city where I combated the people Yaksha sent after me, Slim and his partners.
"Please! I don't want to die." "Then you should never have been born."

Slim's blood was bitter tasting, as was his end. So be it.

Joel returns to my car and I give him every chance to lie to me about what the police have told him. But he gives me the straight facts.

"We're going to Seaside," I say, handing him the phone again. "Tell them we're on our way."

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"What was the name of your friend who died?"

"Yaksha."

"What kind of name is that?"

"It's Sanskrit." I glance over. "It's the name of a demonic being."

He dials the Seaside morgue. "Love the company you keep."

I can't resist-I give him a wink. "It's improving by the hour."

Joel is big-time FBI. The morgue is only too happy to show him whatever bodies they have on ice. The problem is, when we get there-this time I go inside with Joel-the body we are looking for is missing. Now I know what the Mayfair police were holding back. Joel looks irritated. I fed dizzy. Is Yaksha still alive? Did he create the monster who attacked me? If that is the case, then we are all doomed. Seymour can have all the confidence in the world in me, but I will not be able to stop my creator if he is bent on spreading our black blood. Yet it makes no sense. Yaksha was looking forward to his end, secure in the knowledge that he was going to his death having done the Lord's bidding.

"What do you mean, it's missing?" Joel demands. "What happened to it?"

The bespeckled coroner shakes at Joel's question. He is the kid who has been caught with his fingers in the cookie jar. Only this guy's fingers look as if they have been dipped in formaldehyde every morning for the last twenty years. The jaundice virus could be oozing out of his big ears. Here I am a vampire, but even I can't understand why anyone would want to be a coroner and work with corpses all day, even fresh ones filled with nice blood.

Morticians are an even stranger lot. I once buried a mortician alive-in France after World War II-in his most expensive coffin. He made the mistake of saying all Americans were pigs, which annoyed me. He kicked like a pig as I shoveled the dirt on top of him. I enjoy a little mischief.

"We don't know for sure," the coroner replies. "But we believe it was stolen."

"Well, that's just great," Joel growls. "How long was the body here before it disappeared?"

"A week."

"Excuse me," I interrupt. "I am Special Agent Perne and an expert when it comes to forensic evidence. Are you absolutely sure the body we are discussing was in fact a body?

That the person was dead?"

The coroner blinks as if he has tissue sample in his eyes. "What are you suggesting?"

"That the guy simply got up and walked out," I say.

"That would have been quite impossible."

"Why?" I ask.

"Both his legs had been blown off," the coroner says. "He was dead. We had him in the freezer all the time he was here."

"Do you know who might have stolen the body?" Joel asks.

The coroner straightens. "Yes. We had an employee here, an Eddie Fender, who vanished the same time as the body. He took off without even collecting his final paycheck. He worked the night shift and was often unsupervised."

"What was his position?" Joel asks.

"He was an orderly, of sorts."

I snort. "He helped prepare the bodies for dissection."

The coroner is insulted. "We do not dissect people, Agent Perne."

Joel raises his hand as a call for peace. "Do you have a resume on this guy? A job

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The coroner nods. "We handed over copies of those items to the Seaside police. But you are welcome to see the originals. If you'll come into my office, I'll dig them out of our files."

"Go ahead," I say to Joel. "I want to browse, check out the sights."

He rolls his eyes. "Don't disturb the dead."

I check the individual freezer lockers in the back. My keen sense of smell brings me quickly to the one Yaksha occupied. The aroma of the venom-still there even in death, in ice. Yet the odor is not precisely as I remember it, even from six weeks or five thousand years ago. There is something wrong with the faint traces of his blood that remain in the cold locker. Somehow it has been polluted. Grotesque vibrations linger over the hollow space. If Yaksha is in fact dead, he did not leave the world thinking about Krishna, as he hoped. My disquiet deepens.

While Joel stays with the coroner, I wander deeper into the morgue and find an office space with a secretary with her feet up on her desk, doing her nails. I like a woman who doesn't take her job too seriously. This gal doesn't even bother to sit up as I walk in. Of course, to some, I look like a teenager. About thirty, she has a
National Enquirer
and a two-liter bottle of Diet Pepsi sitting on her desk beside a computer screen that keeps flashing: temporary malfunction! Her lips swim in red paint; her hair stands up like an antique wig. Twenty pounds overweight, she looks jovial, a little slutty.

"Wow," she says when she sees me. "Aren't you a pretty little thing! What are you doing in this haunted house?"

I smile. "I am with Special Agent Joel Drake. My name is Alisa Perne. We are investigating a murder."

Now she sits up. "You're FBI? You look like a cheerleader."

I sit down. "Thank you. You look like an executive secretary."

She pulls out a cigarette and waves her hand. "Yeah, right. And this is the executive suite.

What can I do for you?"

"Did you know Eddie Fender?"

"The guy who stole the stiff?"

"Did he steal it?"

She lights her cigarette. "Sure. He was in love with that corpse." She chuckles. "It did more for him than I ever did."

"Did you see Eddie socially?" She leans forward and blows smoke. "You mean, did I screw him? Listen, sister, I would just as soon blow my brains out as do it with Eddie Fender, if you get my meaning." I nod.

"What's your name?"

"Sally Diedrich. I'm not German, just got the name. Is Eddie a suspect in a murder case?"

"We're just gathering background information at this point. I would appreciate anything you could tell me about him."

Sally whistles. "I could give you background on that guy that would make you want to turn your back and run the other way. Listen, you got a minute? Let me tell you a story about Eddie and his relationship to reality."

I cross my legs. "I have many minutes. Tell me everything you know."

"This happened three months ago. We had a temp in here helping me search through some

Create PDF files without this message by purchasing novaPDF printer (http://www.novapdf.com) of our oldest files for missing X rays. Don't believe what the cops and the papers tell you-none of that forensic evidence should hold up in court. We're forever mixing autopsy reports together. We had a dead guy who stayed here a few days, and it says on his death certificate that he croaked because of a tubal pregnancy. Anyway, the temp's name was Heather Longston and she was pretty as pie, if a bit slow. Eddie flirted with her and asked her out, and she said sure before I could warn her. By the time I did talk to her, she felt