Sweet Lamb of Heaven (3 page)

That was a game I'd liked to play when I was a kid. I even played it a few times with Lena, speaking in rapid-fire gibberish, pretending it was an unknown exotic language, say Urdu or Tahitian.

And the voice never went silent, except when Lena was sleeping. It changed from low tones to high, speech to singing, singing to humming to clicking sounds that had a rhythmic quality, on occasion devolving into grumbling or even yelling. I drew the line at yelling—at those times I'd call a babysitter and go out.

I'd shut the door behind me and step into the street, and right away I didn't hear a thing.

WHEN I LEFT
Ned, I took enough money to live on for a while. It was only a fraction of the legacy from my family that he'd funneled into his businesses, but I didn't want to fight over money. Ned wanted it more than I ever had and taking too much would bring out the edge in him.

So I took only what I felt I needed. I made a budget carefully, knowing I wasn't going to work again until Lena started school. I'd worked steadily all my adult life and I thought I could use a break; I was well pleased to be only her mother and teacher for those years. I didn't plan to have a second child.

The money keeps us afloat, Lena and me, and in that respect we're fortunate.

I PUZZLED OVER
the link between the baby's presence and my hallucination. There wasn't generally supposed to be such a clear connection, in the hallucinations of the sane, between what was heard or seen and the fixations of the hallucinating person—not in the descriptions that I read, anyway. This made my case seem more psychological than purely neurological, and I worried about it periodically. Because the presence of my infant carried with it a voice that had the appearance of fluency in all tongues and gave an impression of encyclopedic knowledge—some kind of frightened projection of my overpowering responsibility as a mother, possibly, was one of my interpretations.

Sometimes the stream of sound wasn't a voice but music, welcome relief: old standards, dramatic epics by well-known composers, folk tunes, pop riffs. It liked Woody Guthrie, whose music I didn't remember encountering before except for the song “This Land Is Your Land,” which I knew from summer camp. Research on the snatches of lyrics I could recall yielded his name, and I thought I must have been exposed as a child, and quashed the recollection.

But most often the content was words—what sounded like recitations of texts of all kinds, poems, fictions both literary and mass-market, movie scripts and stage plays, histories, dictionaries, textbooks, biographies, news stories. The subjects were as diverse as the genres: single-celled organisms, hockey scores, feathers on dinosaurs, celebrity suicides, the pattern of Pleistocene extinctions, the fate of the tribe known as the Nez Perce; relativity, particle accelerators, Greek myths, the troubled term
Anthropocene
, the chemistry of a callus on the hand of Heidelberg man.

I was impressed by the knowledge base from which my mind appeared to be drawing. I marveled at it, even. Buried in my unconscious must be some capacity for photographic memory, I thought.

That surprised me.

Nothing salacious ever came from the voice—that is, there were curses, there was profanity, there were even vague references to sex and reproduction, but there was never a suggestion of lechery directed toward me personally. Still, I felt perversion was implicit in the combination of a baby nursing while a stream of elevated diction flowed up from somewhere beyond the O of her mouth. I had to distance myself from the voice when I was nursing her: it might be my hallucination, but, much in the way I might detest
my
head lice or
my
chicken pox, should those happen to manifest, I was forced, at those times, to treat it as a pest.

On occasion I'd try hard to write down what I heard despite my confusion, with doggedness but a lack of clarity, determined to record the substance of the hallucinated event. I still carry with me some scraps of paper—deep in the trunk, where I stuck the file after the last time I picked through it. I'd had to write the words down fast to get any of them, seldom had time to get to the keyboard, so the notes are scribbled on the backs of envelopes, grocery and housewares receipts, once along the edge of a worn dollar bill. Many seemed nonsensical:
Windlessness = illusion planet is static in space ∴ windlessness entropic.
Or
“social animals + writing:
ERRATUM
.”

Neighbors and friends came over fairly often in the first year of Lena's life and (of course) they never heard the voice, not even the faintest hint of it—I made sure. I'd ask, in a roundabout, casual way, if anyone was hearing anything unusual as we sat there, but my questions always met with offhand dismissals.

Joan of Arc had heard a voice advising her to help raise the siege of Orleans, but as far as I could tell the voice had no specific instructions for the likes of me.

I PASSED THROUGH
stages with my hallucination. Sometimes I wished I could hide from it, other times I was determined to study it steadfastly until I could pick out the details and know it more perfectly. After almost a year I fit myself into a certain orbit, adjusting my routine to its disruptions. I shrank and disappeared in the brightness of its perpetual day but at night, when it was silent and so was Lena, I tracked across the dark relief in solitary flight.

I relied heavily on the fact that babies sleep for longer than adults and I also depended on her midday nap, an hour and a half like clockwork. The babysitters gave me some time off, and for the rest I'd found ways to fit myself into the spaces between words, to distract myself sometimes, at other times to tolerate nearness and even, when well-rested, to listen.

In general I felt besieged, my defenses walled up around me, but every now and then something in the fall of words would strike. I'd feel my throat clench in grief or recognition, be on the brink of tears and then not be.

At those times—it's hard to describe and I feel like a fool even trying—I didn't understand why emotion was overwhelming me but I also didn't waste time belaboring the question. I had distinct sensations and I stilled everything to feel them: sometimes I thought I was being cut bloodlessly, cut so that a clear, frigid air entered me and the rest of the outside followed; or possibly I spilled out, it may have been the other way around. I'd feel as though I had the long view, past the end of my life, past the horizon, dispersing into ether.

I loved that feeling the way a drug might be loved, I think, quick as it was, freeing—but also with an icy burn, a searing touch I imagined as the cold of space and couldn't stand for long. There was the euphoria of ascent, the vertigo of height.

Then the feeling would vanish abruptly. I'd just be there, in my house or on the street or in a store, wherever, with Lena. And I'd be desperate to see her clear eyes gazing at me with no interference—to be alone with her instead of in the company of slime molds, cyanobacteria genomics, cuneiform or the dancing of bees.

And finally it wasn't the substance or character of the voice I resented but its proximity—the fact that it was so close, and that it never ceased. I urgently wanted to be rid of the torrent of sound and image, the stream of convolved murmurings that often evoked either oppressive problems or, at the very least, the broad dramatic canvas of a universe that went on forever beyond our cozy walls. What I wished for was my child by herself, the child I'd counted on only with me—the two of us in peace and privacy.

I wanted the normal pleasures of babies, the smell of her soft cheek against my face, to hold her in my lap at bedtime and be able to read picture books to her without hearing, as I read, the constant burble of a parallel story.

But I adjusted, for the most part. I felt I knew the voice for the invention that it was, unconscious, a product of haywire neurology; albeit with some resistance, with some anxiety, I'd learned to live around it.

And then that changed.

WE WERE HAVING
a rare family moment. One of Ned's affairs had just ended in a mildly humiliating way (I figured out later) and at the same time he'd had a major setback at work—failed at a takeover of a small company that made some minor machine part for shrimp trawlers. He'd flown in that afternoon from Dutch Harbor and was home for dinner, albeit with the crabby attitude of someone who's racking his brain but just can't think of somewhere else to be. I stood at the stove cooking as the baby sat in her high chair eating spinach puree and cheese; as always, in those days, the voice was droning on in the background.

“Turn off that racket, for Chrissake,” said Ned irritably, before he'd finished his first drink.

At first I didn't know what he was talking about. I was accustomed to talking over the noise in the background when I had company.

“Turn what off?” I asked, and looked around me as if to see the source.

“That AM radio, that shock-jock shit you're listening to,” he said.

I cocked my head and caught a few obscenities. The voice didn't shy away from coarse invective: this piece must have been some standup routine, a foulmouthed rant. It liked to take a run through those, from time to time. I was pretty sure the FCC wouldn't have let those words onto the airwaves and got distracted for a second thinking Ned should've realized that too.

Then I realized the implications of what he had said—the sheer impossibility—and after a double take I walked away from the stove and sat down, stunned.

He was hearing it.

“Well, shit, OK. I'll turn it off myself,” he said, and went to the radio on the stereo, where he overlooked the darkness of the control panel and spun the volume knob to zero.

The voice didn't miss a beat and Ned said fuck, it must be coming from the neighbors' and he wasn't in the mood to walk over there and yell at them. There followed a tirade about said neighbors, who were hippies, a category Ned reviled. He ranted about their refusal to wear deodorant and their seaweed-harvesting business; he shoveled his dinner down, took an aspirin and went to bed with earplugs in.

Earplugs had never worked for me.

I'd lifted Lena from her high chair and she was sitting on a mat with arches over it, soft toys that dangled from the arches. When Ned disappeared down the hallway I heard the voice, rising again and switching into a milder patter. For once I was able to record what it said—a couple of quotations. On my laptop I found attributions to famous writers, and I wrote the quotes down. “It requires wisdom to understand wisdom: the music is nothing if the audience is deaf.” “None so deaf as those who will not hear.”

While Ned and Lena slept I went into a panic. I stayed up all night; I tried to fall asleep again and again, but I couldn't, and so by 3 a.m. I gave up and put sneakers on and went walking—at times even running—in the dark, in the cold, through the silent neighborhood.

The houses all seemed like statues, the cars, the trees all seemed deliberately placed to me. Of course, most of them
had
been deliberately placed, deliberately built or planted there, and yet their placement suddenly possessed a different character. It was as though they watched me, as though their positions had been decided by some unified and motive force . . . I was getting paranoid, I thought: first a delusion of hallucination, and now paranoia had come for me.

Ned had heard it. Ned, indifferent, superficial, and seemingly sane as the next guy, had heard the voice. Someone else had heard it, therefore it couldn't be purely hallucination. I had been wrong.

Starting at that moment when Ned cursed, and on and on forevermore, in my mind,
it could not be and was not a hallucination
.

It was something else.

MY PARENTS' RELIGION
had always seemed like a curious habit to me. While I was growing up I drove to services with them on Sundays, I said grace before evening meals, I went through the motions agreeably. But as soon as I was old enough to have my own opinion their churchgoing fell into a category like the next-door neighbor's golf hobby, the macramé wall hangings accomplished by a wall-eyed teacher I had for fifth grade. I saw the neighbor bundle his clubs into the back of the car on days with pleasant weather; I watched the teacher sorting wooden beads to string into an orange owl. I wondered what shaped the particular details of their interests, where their strange avidity came from.

I thought about mortality, sure, and I felt the pull of soulful music, but I never met with elevated feeling sitting beside my parents and listening to their minister. For me it couldn't be found in the cramped and unlovely building of their church, the boring sermons, the congregants next to us (mostly aged, with skin tags and wadded sleeve-tissues). It would have been as out of place there as it was, for me, in the plaid of the neighbor's golf bag, the yarn of the owl.

What seemed as though it might partake of the awesome or sublime was away from these close-up elements, away from the grainy texture of everyday. It was in cloud passage, in the galactic sweep; it was the stars beyond count, footage of herds of beasts thundering over grasslands or flocks darkening the sky in migration. I saw it in the play of light over rivers, the rush of multitudes, large beauty: a utopian sunset, the black cloudbank of a looming storm.

Meaning can be attached to it or not, I thought when I was younger, but either way the sacred has to live apart.

Later I saw that the sacred
was
the apart, the untouchable and the untouched. Divinity is only visible from afar.

THE NEXT MORNING
I watched Ned like a hawk as soon as he woke up. I stared at him when he came into the kitchen and poured his coffee (with the voice nattering on to me the whole time as usual). But he said nothing. He didn't seem flustered or confused in the least, only impatient as he always was to get away—impatient to begin the real life of his day, out of our house, with people who mattered.