Read Rabbit Redux Online

Authors: John Updike

Tags: #Fiction, #Romance, #General, #Literary, #Psychological, #Middle Class Men, #Modern fiction, #Angstrom, #American fiction, #Harry (Fictitious character), #Midlife crisis

Rabbit Redux (10 page)

BOOK: Rabbit Redux
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            "What reason are you going to give him? For breaking it off"

            "Why, the fact that you know."

            "Suppose he asks you why you told?"

            "It's obvious why I told. I told because I'm your wife."

            Tears belly out between her lids and the tension of her face breaks like Nelson's when a hidden anxiety, a D or a petty theft or a headache, is confessed. Harry denies his impulse to put his arm around her; he does not want to feel wooden again. She teeters, keeping her balance while sobbing, sitting on the edge of the bathtub, while the plastic shower curtain rustles at her shoulder.

            "Aren't you going to stop me?" she brings out at last.

            "Stop you from what?"

            "From seeing him!"

            Given this rich present of her grief, he can afford to be cruel. Coolly he says, "No, see him if you want to. Just as long as I don't have to see the bastard." And, avoiding the sight of her face, he sees himself in the cabinet mirror, a big pink pale man going shapeless under the chin, his little lips screwed awry in what wants to be a smile.

            The gravel in the driveway crackles again. From the bathroom window he sees the boxy dun top of Springer's spandy new Toyota wagon. To Nelson he calls, "Grandpa's here. Let's go-o." To Janice he murmurs, "Sit tight, kid. Don't commit yourself to anything." To his father-in-law, sliding in beside him, across a spaghetti of nylon safety straps, Rabbit sings, "Buy me some peanuts and crack-er jack..."

            The stadium is on the northern side of Brewer, through a big cloverleaf, past the brick hulks of two old hosiery mills, along a three-lane highway where in these last years several roadside restaurants have begun proclaiming themselves as Pennsylvania Dutch, with giant plaster Amishmen and neon hex signs. GENUINE "Dutch" COOKING. Pa. Dutch Smorgasbord. Trying to sell what in the old days couldn't be helped. Making a tourist attraction out of fat-fried food and a diet of dough that would give a pig pimples. They pass the country fairgrounds, where every September the same battered gyp stands return, and the farmers bring their stinking livestock, and Serafina the Egyptian Temptress will take off all her clothes for those yokels who put up a dollar extra. The first naked woman he saw was Serafma or her mother. She kept on her high heels and a black mask and bent way backwards; she spread her legs and kept a kind of token shimmy rhythm as she moved in a semi-circle so every straining head (luckily he was tall even then) could see a trace of her cleft, an exciting queasy-making wrinkle shabbily masked by a patch of hair that looked to him pasted-on. Rubbed threadbare? He didn't know. He couldn't imagine.

            Springer is shaking his head over the York riots. "Sniper fire four nights in a row, Harry. What is the world coming to? We're so defenseless, is what strikes me, we're so defenseless against the violent few. All our institutions have been based on trust."

            Nelson pipes up. "It's the only way they can get justice, Grandpa. Our laws defend property instead of people."

            "They're defeating their own purposes, Nellie. Many a white man of good will like myself is being turned against the blacks. Slowly but surely he's being turned against them. It wasn't Vietnam beat Humphrey, it was law and order in the streets. That's the issue that the common man votes upon. Am I right or wrong, Harry? I'm such an old fogey I don't trust my own opinions any more."

            One old geezer, Harry is remembering, at the side of the little stage, reached from behind and put his hand up on her pussy, shouting, "Aha!" She stopped her dance and stared out of the black mask. The tent went quiet; the geezer, surprisingly, found enough blood in himself to blush. Aha. That cry of triumph, as if he had snared a precious small animal, Harry never forgot. Aha. He slouches down and in answer to Springer says, "Things go bad. Food goes bad, people go bad, maybe a whole country goes bad. The blacks now have more than ever, but it feels like less, maybe. We were all brought up to want things and maybe the world. isn't big enough for all that wanting. I don't know. I don't know anything."

            Old man Springer laughs; he snorts and snarls so his little gray mouse of a mustache merges with his nostril hairs. "Did you hear about Teddy Kennedy this morning?"

            "What about him? No."

            "Shut your ears, Nellie. I forgot you were in the car or I wouldn't have mentioned it."

            "What, Grandpa? What did he do? Did somebody shoot him?"

            "Apparently, Harry" - Springer talks out of the side of his mouth, as if to shield Nelson, yet so distinctly the child can easily hear- "he dumped some girl from Pennsylvania into one of those Massachusetts rivers. Murder as plain as my face." Springer's face, from the side, is a carving of pink bone, with rosy splotches where the cheekbones put most pressure, and a bump of red on the point where the nose turns. An anxious sharp face creased all over by a salesman's constant smile. One thing at least about setting type, there's a limit on how much ass you must kiss.

            "Did they get him? Is he in jail, Grandpa?"

            "Ah, Nellie, they'll never put a Kennedy in jail. Palms will be greased. Evidence will be suppressed. I call it a crying shame."

            Rabbit asks, "What do you mean, dumped some girl?"

            "They found her in his car upside down in the water beside some bridge, I forget the name, one of those islands they have up there. It happened last night and he didn't go to the police until they were about to nab him. And they call this a democracy, Harry, is the irony of it."

            "What would you call it?"

            "I'd call it a police state run by the Kennedys, is what I would call it. That family has been out to buy the country since those Brahmins up in Boston snubbed old Joe. And then he put himself in league with Hitler when he was FDR's man in London. Now they've got the young widow to marry a rich Greek in case they run out of American money. Not that she's the goodie-gumdrop the papers say; those two were a match. What's your opinion, Harry? Am I talking out of line? I'm such a back number now I don't trust to hear myself talk." Aha.

            "I'd say," Harry says, "you're right with it. You should join the kids and buy yourself a bomb to throw."

            Springer looks over from driving (the yellow parabolas of a McDonald's flash by; the tinsel spinners of a Mobil station break the noon sun into trinkets) to see if he has oversold. How timid, really, people who live by people must be. Earl Angstrom was right about that at least: better make your deals with things. Springer says, hedgily smiling, showing porcelain teeth beneath the gray blur, "I'll say this for the Kennedys, however, they don't get my dander up like FDR. There was a man, Harry, so mad he died of maggots in the brain. One thing to be said for the Kennedys, they didn't try to turn the economy upside down for the benefit of the poor, they were willing to ride along with the System as it's been handed down."

            Nelson says, "Billy Fosnacht says when we grow up we're going to overthrow the System."

            Springer can't hear, lost in his vision of executive madness and corruption. "He tried to turn it upside down for the benefit of the black and white trash, and when that didn't work for eight years he finagled the little Japanese into attacking Pearl Harbor so he had a war to bail him out of the Depression. That's why you have these wars, believe it or not, to bail the Democrats out of their crazy economics. LBJ, now, as soon as he got his four-year guarantee, went into Vietnam where nobody wanted us, just to get the coloreds up into the economy. LBJ, he was an FDR man. Truman, the same thing in Korea. History bears me out, every time, call me an old fogey if you want to: what's your angle on it, Nelson?"

            "Last night on television," the boy says, "we watched an old movie about fighting the Japs in the Pacific, this little boat sank, and the captain or whatever he was swam miles with a broken back dragging this other guy."

            "That was Kennedy," Springer says. "Pure propaganda. They made that movie because Old Joe owned a lot of those studios. He sank his money into the movies when aL the honest businessmen who'd put this country on the map were losing their shirts. He was in close league, the story I heard, with those Jewish Communists out there."

            Rabbit tells Nelson, "That's where your Aunt Mim is now, out. there with those Communists."

            "She's beautiful," Nelson tells his grandfather. "Have you ever seen my Aunt Mim?"

            "Not as much as I'd have liked to, Nellie. She is a striking figure, however, I know you're right there. You're right to be proud of her. Harry, your silence disturbs me. Your silence disturbs me. Maybe I'm way off base - way off: Tell me what you think of the state of the nation. With these riots everywhere, and this poor Polish girl, she comes from up near Williamsport, abused and drowned when the future President takes his pleasure. Pregnant, wouldn't surprise me. Nellie, you shouldn't be hearing any of this."

            Harry stretches, cramped in the car, short of sleep. They are near the stadium, and a little colored boy is waving them into a lot. "I think," he says, "about America, it's still the only place."

            But something has gone wrong. The ball game is boring. The spaced dance of the men in white fails to enchant, the code beneath the staccato spurts of distant motion refuses to yield its meaning. Though basketball was his sport, Rabbit remembers the grandeur of all that grass, the excited perilous feeling when a high fly was hoisted your way, the homing-in on the expanding dot, the leathery smack of the catch, the formalized nonchalance of the heads-down trot in toward the bench, the ritual flips and shrugs and the nervous courtesies of the batter's box. There was a beauty here bigger than the hurtling beauty of basketball, a beauty refined from country pastures, a game of solitariness, of waiting, waiting for the pitcher to complete his gaze toward first base and throw his lightning, a game whose very taste, of spit and dust and grass and sweat and leather and sun, was America. Sitting behind first base between his son and his father-in-law, the sun resting on his thighs, the rolled-up program in his hand, Rabbit waits for this beauty to rise to him, through the cheers and the rhythm of innings, the traditional national magic, tasting of his youth; but something is wrong. The crowd is sparse, thinning out from a cluster behind the infield to fistfuls of boys sprawling on the green seats sloped up from the outfield. Sparse, loud, hard: only the drunks, the bookies, the cripples, the senile, and the delinquents come out to the ball park on a Saturday afternoon. Their catcalls are coarse and unkind. "Ram it down his throat, Speedy!"

            "Kill that black bastard!" Rabbit yearns to protect the game from the crowd; the poetry of space and inaction is too fine, too slowly spun for them. And for the players themselves, they seem expert listlessly, each intent on a private dream of making it, making it into the big leagues and the big money, the own-your-own-bowlingalley money; they seem specialists like any other, not men playing a game because all men are boys time is trying to outsmart. A gallant pretense has been abandoned. Only the explosions of orange felt on their uniforms, under the script Blasts, evoke the old world of heraldic local loyalties. Brewer versus Hazleton and who cares? Not Springer: as he watches, his lips absent-mindedly move as if sorting out old accounts. Not Nelson: the screen of reality is too big for the child, he misses television's running commentary, the audacious commercials. His politely unspoken disappointment nags at Rabbit, prevents the game from rising and filling the scared hollow Janice's confession has left in him. The eight-team leagues of his boyhood have vanished with the forty-eight-star flag. The shortstops never chew tobacco any more. The game drags on, with a tedious flurry of strategy, of pinch-hitters and intentional walks, prolonging the end. Hazleton wins, 7-3. Old man Springer sighs, getting up as if from a nap in an unnatural position. He wipes a fleck of beer from his mustache. " 'Fraid our boys didn't come through for you, Nellie," he says.

            "That's O.K., Grampa. It was neat."

            To Harry he says, needing to find something to sell, "That young Trexler is a comer though."

            Rabbit is cross and groggy from two beers in the sun. He doesn't invite Springer into his house, just thanks him a lot for everything. The house is silent, like outer space. On the kitchen table is a sealed envelope, addressed "Harry." The letter inside, in Janice's half-formed hand, with its unsteady slant and miserly cramping, says

           

            Harry dear -

           

            I must go off a few days to think. Please don't try to find or follow me please. It is very important that we all respect each other as people and trust each other now. I was shocked by your idea that I keep a lover since I don't think this would be honest and it made me wonder if I mean anything to you at all. Tell Nelson I've gone to the Poconos with Grandmom. Don't forget to give him lunch money for the playground.

            Love,

           

            Jan

            "Jan" - her name from the years she used to work at Kroll's selling salted nuts in the smock with Jan stitched above the pocket in script. In those days some afternoons they would go to Linda Hammacher's apartment up on Eighth Street. The horizontal rose rays as the sun set behind the great gray gas-holder. The wonder of it as she let him slip off all her clothes. Underwear more substantial then: stocking snaps to undo, the marks of elastic printed on her skin. Jan. That name suspended in her these fifteen years; the notes she left for him around the house were simply signed ` J."

            "Where's Mom?" Nelson asks.

            "She's gone to the Poconos," Rabbit says, pulling the note back toward his chest, in case the boy tries to read it. "She's gone with Mom-mom, her legs were getting worse in this heat. I know it seems crazy, but that's how things are sometimes. You and I can eat over at Burger Bliss tonight."

BOOK: Rabbit Redux
8.12Mb size Format: txt, pdf, ePub
ads

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