A Murder Is Announced (17 page)

I

“S
orry to worry you again, Mrs. Haymes.”

“It doesn't matter,” said Phillipa coldly.

“Shall we go into this room here?”

“The study? Yes, if you like, Inspector. It's very cold. There's no fire.”

“It doesn't matter. It's not for long. And we're not so likely to be overheard here.”

“Does that matter?”

“Not to me, Mrs. Haymes. It might to you.”

“What do you mean?”

“I think you told me, Mrs. Haymes, that your husband was killed fighting in Italy?”

“Well?”

“Wouldn't it have been simpler to have told me the truth—that he was a deserter from his regiment.”

He saw her face grow white, and her hands close and unclose themselves.

She said bitterly:

“Do you have to rake up
everything?
”

Craddock said dryly:

“We expect people to tell us the truth about themselves.”

She was silent. Then she said:

“Well?”

“What do you mean by ‘Well?,' Mrs. Haymes?”

“I mean, what are you going to do about it? Tell everybody? Is that necessary—or fair—or kind?”

“Does nobody know?”

“Nobody here. Harry”—her voice changed—“my son, he doesn't know. I don't want him to know. I don't want him to know—ever.”

“Then let me tell you that you're taking a very big risk, Mrs. Haymes. When the boy is old enough to understand, tell him the truth. If he finds out by himself some day—it won't be good for him. If you go on stuffing him up with tales of his father dying like a hero—”

“I don't do that. I'm not completely dishonest. I just don't talk about it. His father was—killed in the war. After all, that's what it amounts to—for us.”

“But your husband is still alive?”

“Perhaps. How should I know?”

“When did you see him last, Mrs. Haymes?”

Phillipa said quickly:

“I haven't seen him for years.”

“Are you quite sure that's true? You didn't, for instance, see him about a fortnight ago?”

“What are you suggesting?”

“It never seemed to me very likely that you met Rudi Scherz in the summerhouse here. But Mitzi's story was very emphatic. I suggest, Mrs. Haymes, that the man you came back from work to meet that morning was your husband.”

“I didn't meet anybody in the summerhouse.”

“He was hard up for money, perhaps, and you supplied him with some?”

“I've not seen him, I tell you. I didn't meet anybody in the summerhouse.”

“Deserters are often rather desperate men. They often take part in robberies, you know. Hold-ups. Things of that kind.
And they have foreign revolvers very often that they've brought back from abroad.
”

“I don't know where my husband is. I haven't seen him for years.”

“Is that your last word, Mrs. Haymes?”

“I've nothing else to say.”

II

Craddock came away from his interview with Phillipa Haymes feeling angry and baffled.

“Obstinate as a mule,” he said to himself angrily.

He was fairly sure that Phillipa was lying, but he hadn't succeeded in breaking down her obstinate denials.

He wished he knew a little more about ex-Captain Haymes. His information was meagre. An unsatisfactory Army record, but nothing to suggest that Haymes was likely to turn criminal.

And anyway Haymes didn't fit in with the oiled door.

Someone in the house had done that, or someone with easy access to it.

He stood looking up the staircase, and suddenly he wondered what Julia had been doing up in the attic. An attic, he thought, was an unlikely place for the fastidious Julia to visit.

What had she been doing up there?

He ran lightly up to the first floor. There was no one about. He opened the door out of which Julia had come and went up the narrow stairs to the attic.

There were trunks there, old suitcases, various broken articles of furniture, a chair with a leg off, a broken china lamp, part of an old dinner service.

He turned to the trunks and opened the lid of one.

Clothes. Old-fashioned, quite good-quality women's clothes. Clothes belonging, he supposed, to Miss Blacklock, or to her sister who had died.

He opened another trunk.

Curtains.

He passed to a small attaché-case. It had papers in it and letters. Very old letters, yellowed with time.

He looked at the outside of the case which had the initials C.L.B. on it. He deduced correctly that it had belonged to Letitia's sister Charlotte. He unfolded one of the letters. It began

He skipped the rest and looked at the signature:

Your loving sister, Letitia.

He picked up another.

He nodded his head. He remembered Belle Goedler saying that Charlotte Blacklock had a disfigurement or deformity of some kind. Letitia had, in the end, resigned her job, to go and look after her sister. These letters all breathed the anxious spirit of her affection and love for an invalid. She had written her sister, apparently, long accounts of everyday happenings, of any little detail that she thought might interest the sick girl. And Charlotte had kept these letters. Occasionally odd snapshots had been enclosed.

Excitement suddenly flooded Craddock's mind. Here, it might be, he would find a clue. In these letters there would be written down things that Letitia Blacklock herself had long forgotten. Here was a faithful picture of the past and somewhere amongst it, there might be a clue that would help him to identify the unknown. Photographs, too. There might, just possibly, be a photograph of Sonia Goedler here that the person who had taken the other photos out of the album did not know about.

Inspector Craddock packed the letters up again, carefully, closed the case, and started down the stairs.

Letitia Blacklock, standing on the landing below, looked at him in amazement.

“Was that you up in the attic? I heard footsteps. I couldn't imagine who—”

“Miss Blacklock, I have found some letters here, written by you to your sister Charlotte many years ago. Will you allow me to take them away and read them?”

She flushed angrily.

“Must you do a thing like that? Why? What good can they be to you?”

“They might give me a picture of Sonia Goedler, of her character—there may be some allusion—some incident—that will help.”

“They are private letters, Inspector.”

“I know.”

“I suppose you will take them anyway … You have the power to do so, I suppose, or you can easily get it. Take them—take them! But you'll find very little about Sonia. She married and went away only a year or two after I began to work for Randall Goedler.”

Craddock said obstinately:

“There may be
something.
” He added, “We've got to try everything. I assure you the danger is very real.”

She said, biting her lips:

“I know. Bunny is dead—from taking an aspirin tablet that was meant for me. It may be Patrick, or Julia, or Phillipa, or Mitzi next—somebody young with their life in front of them. Somebody who drinks a glass of wine that is poured out for me, or eats a chocolate that is sent to me. Oh! take the letters—take them away.
And afterwards burn them. They don't mean anything to anyone but me and Charlotte. It's all over—gone—past. Nobody remembers now….”

Her hand went up to the choker of false pearls she was wearing. Caddock thought how incongruous it looked with her tweed coat and skirt.

She said again:

“Take the letters.”

III

It was the following afternoon that the Inspector called at the Vicarage.

It was a dark gusty day.

Miss Marple had her chair pulled close to the fire and was knitting. Bunch was on hands and knees, crawling about the floor, cutting out material to a pattern.

She sat back and pushed a mop of hair out of her eyes, looking up expectantly at Craddock.

“I don't know if it's a breach of confidence,” said the Inspector, addressing himself to Miss Marple, “but I'd like you to look at this letter.”

He explained the circumstances of his discovery in the attic.

“It's rather a touching collection of letters,” he said. “Miss Blacklock poured out everything in the hopes of sustaining her sister's interest in life and keeping her health good. There's a very clear picture of an old father in the background—old Dr. Blacklock. A real old pig-headed bully, absolutely set in his ways, and convinced that everything he thought and said was right. Probably killed thousands
of patients through obstinacy. He wouldn't stand for any new ideas or methods.”

“I don't really know that I blame him there,” said Miss Marple. “I always feel that the young doctors are only too anxious to experiment. After they've whipped out all our teeth, and administered quantities of very peculiar glands, and removed bits of our insides, they then confess that nothing can be done for us. I really prefer the old-fashioned remedy of big black bottles of medicine. After all, one can always pour those down the sink.”

She took the letter that Craddock handed her.

He said: “I want you to read it because I think that that generation is more easily understood by you than by me. I don't know really quite how these people's minds worked.”

Miss Marple unfolded the fragile paper.

Miss Marple folded the letter and handed it back. She looked abstracted.

“Well, what do you think about her?” Craddock urged. “What picture do you get of her?”

“Of Sonia? It's difficult, you know, to see anyone through another person's mind … Determined to get her own way—that, definitely, I think. And wanting the best of two worlds….”

“
Closing and unclosing her hands like an angry cat,
” murmured Craddock. “You know, that reminds me of someone….”

He frowned.

“Making enquiries …” murmured Miss Marple.

“If we could get hold of the result of those inquiries,” said Craddock.

“Does that letter remind you of anything in St. Mary Mead?” asked Bunch, rather indistinctly since her mouth was full of pins.

“I really can't say it does, dear … Dr. Blacklock is, perhaps, a little like Mr. Curtiss the Wesleyan Minister. He wouldn't let his child wear a plate on her teeth. Said it was the Lord's Will if her teeth stuck out. ‘After all,' I said to him, ‘you do trim your beard and cut your hair. It might be the Lord's Will that your hair should grow
out.' He said that was quite different. So like a man. But that doesn't help us with our present problem.”